Mandate

The mission of TOPO, an artist-run centre in Montreal, is to provide support and the necessary tools to artists in their exploration of contemporary practices in digital art and literature.

Activities

TOPO’s training, creation, dissemination and outreach activities contribute to the development of its field of practice, at the intersection of visual arts, literature and digital media. The centre assists, supports and carries out interactive projects, hosts artists in residence, offers specialized workshops, and engages in the community through cultural outreach initiatives. Its dissemination component explores innovative modes of presentation for digital works through exhibition, performance, publication and circulation activities.

Vision

TOPO is a pioneering organisation in web art in Quebec, a place of convergence for interdisciplinary and collaborative digital practices which contribute to the writing of contemporary narratives of the present day and to outlining the transmedia imaginaries of tomorrow. Rooted in its community, TOPO is part of the evolution of interactive arts and media, joining past and present, memory and future to bring about new narratives and new transitions.

Values

Experimentation – Collaboration – Transformation

TOPO accelerates creativity by encouraging experimentation in the arts. We promote collaboration among artists, technology experts and communities in order to create engaging and inclusive experiences. From the point of view of sustainability, our research, creation, dissemination and outreach activities seek to effect positive transformations for our audiences and for the professional ecosystem.

History

TOPO was founded in Montreal on 1993. The centre grew out of the will of its founding members to develop a structure for the organization of collective and multidisciplinary projects that integrate the disciplines of photography and literature.

With the development of digital technologies, TOPO’s mandate has naturally grown to occupy the Web as a territory of creation and dissemination. In 1998, TOPO co-produced “Liquidation, a web-audio fiction” and started its Web activity. From that point on, the organization became active in an ongoing manner in the media arts sector. Since then, TOPO has created and produced Web art projects, most of them collective, with more than one hundred artists from the fields of visual and media arts, theatre, audio, and literature.

While aiming to produce more original content for the Web, TOPO is also interested in presenting and distributing independent multimedia artworks on the Web and on disks (CD, DVD-ROM, and video). In 2001, the centre launched the “Electronic Showcase” as a space for the promotion and presentation of artistic and experimental multimedia works. In 2005, TOPO began to disseminate its Web works through publication, exhibition, and performance activities. In 2007, in partnership with Laboratoire NT2 of the Université du Québec à Montréal, TOPO initiated the “Sortir de l’écran/Spoken Screen” series, which presents media works with a performative dimension. Finally, in 2013, the organization published a major book on .(La Société de Conservation du Présent), a Quebec collective that prefigured the use of electronic networks and computer programming for art and was active from 1985 to 1994.

In spring 2014, TOPO relocated into the Pôle de Gaspé and took advantage of the move to open a new exhibition space on the ground floor, the Vitrine, where it presents media installations on a regular basis.

The Conseil des arts de Montréal recognizes the excellence of the center by naming it a finalist in digital arts for its 2015 Grand Prix.

TOPO is actively involved in its community, and the years to come offer both promise and challenges.

Mandate

TOPO is a Montreal-based artist-run centre whose mission is to assist and equip artists in their exploration of contemporary digital art practices.

Vision

TOPO’s training, creation, dissemination and outreach activities contribute to the development of its field of practice, at the intersection of visual arts, literature and digital media. The centre assists, supports and carries out interactive projects, hosts artists in residence, offers specialized workshops, and engages in the community through cultural outreach initiatives. Its dissemination component explores innovative modes of presentation for digital works through exhibition, performance, publication and circulation activities.

A member of the Pied Carré group, the centre occupies a multifunctional production space open to the community and an exhibition space located on the first floor of the Pôle de Gaspé, a creative hub in Montreal’s Mile End district.

Values

Audacity – Openness – Commitment

TOPO stands out for its support of emerging and diverse practices, its risk-taking in supporting artistic experimentation, and its social commitment.

Historique

TOPO was founded in Montreal on 1993. The centre grew out of the will of its founding members to develop a structure for the organization of collective and multidisciplinary projects that integrate the disciplines of photography and literature.

With the development of digital technologies, TOPO’s mandate has naturally grown to occupy the Web as a territory of creation and dissemination. In 1998, TOPO co-produced “Liquidation, a web-audio fiction” and started its Web activity. From that point on, the organization became active in an ongoing manner in the media arts sector. Since then, TOPO has created and produced Web art projects, most of them collective, with more than one hundred artists from the fields of visual and media arts, theatre, audio, and literature.

While aiming to produce more original content for the Web, TOPO is also interested in presenting and distributing independent multimedia artworks on the Web and on disks (CD, DVD-ROM, and video). In 2001, the centre launched the “Electronic Showcase” as a space for the promotion and presentation of artistic and experimental multimedia works. In 2005, TOPO began to disseminate its Web works through publication, exhibition, and performance activities. In 2007, in partnership with Laboratoire NT2 of the Université du Québec à Montréal, TOPO initiated the “Sortir de l’écran/Spoken Screen” series, which presents media works with a performative dimension. Finally, in 2013, the organization published a major book on .(La Société de Conservation du Présent), a Quebec collective that prefigured the use of electronic networks and computer programming for art and was active from 1985 to 1994.

In Québec, TOPO is a pioneer in the field of interactive fiction and has served as an incubator for a number of visual artists, performers, and writers who want to experiment with the Web and interactive devices. TOPO occupies a unique niche in the digital arts network, distinguishing itself, notably, for its exploration of new forms of narrativity.

In spring 2014, TOPO relocated into the Pôle de Gaspé and took advantage of the move to open a new exhibition space on the ground floor, the Vitrine, where it presents media installations on a regular basis.

The Conseil des arts de Montréal recognizes the excellence of the center by naming it a finalist in digital arts for its 2015 Grand Prix.

TOPO is actively involved in its community, and the years to come offer both promise and challenges.